Filmmaker Alexander Kluge loves to use the expression ‘primitive diversity’ in relation to the origins of his art: the first films that were made, their genres, motives and moods. With the development of AI, Kluge asks, what could its primitive diversity look like? In this new age of image-making, the New German Cinema paragon finds himself experimenting with this latest tool of image creation, diving into a world of pictures and views whose basis is not reality itself, but mankind’s digital repository of them.